Kings of USBM WOLVES IN THE THRONE ROOM have returned with sharpened teeth. Their new album Estuary carries the hallmark of their unyielding dedication to the physical craft and analog production techniques. Estuary is their most ferocious and genre-bending record to date.
Nathan Weaver (lead vocals, guitars) comments: “Our new album Estuary takes place 1,000 years in the future, after the death of civilization. I’ve always felt such calm at the idea of humanity vanishing from the world, and nature reclaiming everything. I dream of being alone in this setting and experiencing total calm and peace. This has been a recurring theme in all of Wolves’ music but for Estuary, it is at the forefront.”
Resonant with that hardwiring; Estuary is rawer, more volatile with the storming sensuality of noisy industrial elements, evolving through the domain of warm rain, majestic forests and diffused starlight. Massive percussion and seething gothic guitars wipe the listener’s psyche clear of all stagnation, transforming them into active, evolutionary conduits.
Estuary explores the tension and networking between stillness and noise, animal and machine, elementals and electricity, and the awakening sophistication implicit in our mysterious origin. Weaver says: “If wilderness overcame the cities in the future, the estuaries would be realms of power and magic. Within the album’s world-building, the estuaries are key nexus points where magic has taken on physical form. Spirits good and evil walk the earth.”
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