“Yob might be one of the best bands in North America,” declared Ben Ratliff in a feature New York Times article in March of 2010 that can be best described as gushing. The Eugene, OR-based doom metal trio has seen similar praise worldwide, with a growing host of fans citing the band as one of the most profound and accomplished doom metal phenomena of the 21st century.
Florida’s musical legacy, as far as those of us who walk the left-hand path are concerned, has always lain within the murky depths of death metal, spawned decades ago by the godless noise mongers of Death, Morbid Angel, Deicide and more. It’s fitting, then, that the two musicians behind Florida’s most crushing new export, DARK CASTLE, have spent most of their lives playing in metal bands and honing the tools of their trade.
If the Bermuda Triangle or Twilight Zone existed in the Canadian music scene, then Toronto’s Sons of Otis would be their prime resident. The band creates a genre unto its own, unique enough to become a patented prescription medication. Known for their trance-like neuron-firing live performances which include spinning lights and smoke machines, Sons of Otisprove to audiences everywhere that they can summon spaceships and create supernovas.
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